It’s been five days since our panel at the Kentucky Women Writer’s Conference; we’ve received heartening feedback from those who participated and are grateful to all who sent us notes and comments.
For those who couldn’t make it, a brief recap: we planned the panel intent on being succinct, and so briefly told three stories—how KaBooM began; how the anthology took shape as our collective project; and how the physical book became a tangible art object. We offered specific suggestions on the inner workings of writing groups, such as holding members accountable to writing goals set weekly. And we demonstrated a critique method that both honored the writing process while demanding the rigor of a continually developing craft.
What we did not emphasize was the world’s deep need for the work contained between two hand-crafted covers. A friend who’d not been at the conference asked me, the day after, to read a few pages of When the Bough Breaks. After a few lines from several pieces, she looked at me with wide eyes and said: “This is a good book!” I thought “Well, of course it is!”

Jan introduces our panel at the Ky. Women Writers Conference




