KaBooM WritersKaBooM Writers

Welcome to the online presence of KaBooM, a writing group that has sustained the creative lives of a diverse group of women for over a decade. We hope that getting to know us will inspire you, too!Welcome to the online presence of KaBooM, a writing group that has sustained the creative lives of a diverse group of women for over a decade. We hope that getting to know us will inspire you, too!

Welcome to the online presence of KaBooM, a writing group that has sustained the creative lives of a diverse group of women for over a decade. We hope that getting to know us will inspire you, too!


The KaBooM Writers Notebook: Our Blog

Notes from the Ky Women Writers Conference

The 2014 Kentucky Women Writers Conference was full of inspiration and insight, and more ideas than anyone can absorb. I don’t have snapshots to share, but here are some snapquotes to give you a glimpse of what the conference was like. For anyone else who was there, it would be great to hear about what stood out to you.

2014 Ky Women Writers Conference

Jill McCorkle made the intriguing comment that “I’ve come to believe that the [short] story has more in common with a poem than a novel.” She also said that in beginning a new project she almost always starts with the voice of her main character.

Rebecca Makkai spoke about endings, saying “A good ending adds to the story; it tells you something you didn’t already know.” She noted that film has taught us that leaving the audience with sound at the end is often more effective than leaving us with an image. With this in mind, consider how the final lines sound. Pacing is part of that. It often works to slow things down at the end.

Margaret Wrinkle led a workshop on the spiritual work of writing, and the spiritual encounter with material that matters—what she referred to as the stories that are bigger than we are. This is what comes first, before the crafting of work. We journey to that deep place where we find the story and bring it back. “Creativity is a spiritual practice,” she reminded us. “The key to the creative process is surrender.”

Hannah Pittard told how reading Alice Munro’s “Runaway” changed her approach to critiquing work during writing workshops. “First find the most beautiful thing,” is her new philosophy. All kinds of surprising things can work in service to what resonates.

Kim Edwards noted that when Munro’s first person narrators question themselves, they become more accessible.

In Liza Dawson’s agent talk, among her many recommendations was to spend time on publishers’ websites and learn how books are sold. Look at how those books you like are described. You have a dual identity as a writer and as a business person.

But most vivid is a piece of advice from Margaret Wrinkle. Take a piece of paper and write down the mental impediments to doing your writing: the self-doubt, the fear, the questions about the validity and worth of your work. Then burn that list and put the ashes into moving water, letting them be carried away. Repeat as needed. Even the mental image of this exercise is freeing.

 

 

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