KaBooM Writers

Sometimes it takes me an entire week to solve the Sunday New York Times crossword. Not long ago I put the finishing touches on my solution to the puzzle. Smack in the middle I penciled a circle around one particular intersection of across and down. I had expended all mental effort possible over whether the answer to “Yanks and others” could really be “ALers,” which made the cross clue “Strand” solve as “enisle.” I stashed my pencil and checked my grid against the solution. This week, they matched.

It felt a little bit like the protocol I follow when revising a piece of writing: give it a try; come back to it after taking a break; use a pencil with a good eraser—it makes editing easier.

Revision, one of the most important steps of any writer’s process, means following different strategies at different stages. For your writing to achieve its best, you’ll probably have to engage in a revision process that’s more complex than the simple steps I mention above.

One of the best conversations that took place at the Carnegie Center February Writer’s Retreat led by KaBooM resulted in shared wisdom about revision strategies that work. The ideas generated are summarized below.

• Writing can be being something like weaving threads into cloth. Sometimes the cloth has to be cut up and refashioned into a different cloth; sometimes the cloth has to be tailored so it becomes a well-fitting garment.
• Distance yourself from the material—then look back at it for a leap, a lurch, or a life pulsing. Circle that leap and write it on a fresh sheet of paper. Start making a mind map by drawing lines out from the circle (like spokes around a wheel). Put words on the lines as associations come to you.
• Ask yourself about the purpose of a scene. Is it present only to advance the plot or is it also doing something else? Check for sensory detail—have you covered each of the senses? You may need to help the reader see what you see. Add noise and taste and smell. Be sure the sensory world is present in your writing.
• Remember that perfection is achieved when there is nothing left to remove. It is sometimes necessary to kill your darlings.
• Underline adverbs and adjectives and replace them with strong verbs when possible.
• Don’t be afraid to try another starting point.
• Look at models of writing that you respect. (Cf. Francine Prose’s book Reading Like a Writer.)
• Join a group—find readers who are critical but supportive, who can give you ideas on how to make something right.
• Read your work outloud. Use the mirror test. Look in a full-length mirror and read your work to yourself.
• Go do something physical for a time. Walk, do the dishes, or solve a crossword puzzle.